Beyond Capital

Polemics, Critique and Analysis

Posts Tagged ‘pagan

Some random thoughts on the rationalism/irrationalism divide

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If we historicise religion in terms of its pagan provenance we can clearly see religion as unreflexive atheism. That reading is precisely what is at stake in Gramsci’s critical entanglement with the consciousness and culture of what he termed the subaltern. Something that comes across rather clearly in his critique of Bukharin’s manual of Marxist sociology.

On the other hand, the conception of the rational in Hegel’s system of philosophy of history is deeply theological — theology here to be read as the mystification of religion through a hypostasis of its material basis. Albeit, the historical thinking of metaphysics and idealism that is prominently at work in Hegel while he is building his system of philosophy (of history) provides us with the resources needed to reconceptualise rationalism as materialism, against the Hegelian-systemic grain of theology as it were.

One way, my preferred way, of reading materialism off Hegel is provided by Althusserian Pierre Macherey’s deconstructive reading of Hegel’s criticism of Spinoza. He also demonstrates a similar approach when in his affirmative reading of Adorno’s mobilisation of Hegel’s conception of negativity in ‘Negative Dialectics’, Macherey rigorously explicates such Adornesque mobilisation of Hegelian negativity as Spinozist conatus, which is an extensional, and thus non-productive, positivity.

In that context, religion needs to be approached not as a closed system of mystification but, like every other thing in modernity (especially, its theologised commodity of secularism), as a terrain problematisable in terms of it already always being internally divided between the materiality that is its emerging or political (re-)emerging, and its mystified, theologised presence. It’s perhaps time now to revive once again the (Marxian) project of reconceptualising reason/rationalism in terms of materialism as constant movement of internal division between idea and matter, and thus as critique, polemicality and politics, rather than get caught in the (Weberian) historicist and positivist binary of rational contra irrational.


Nietzsche’s Hellenism: A case of heroic failure

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Is it any longer historically possible to retrieve the non-moral ethics of Classical Hellenic antiquity? For, is the inescapable modern condition of our historical being — not just in the West and the Muslim world, but even in our apparently pagan polytheistic society too — really pagan and polytheistic? Objectively speaking, isn’t the polytheistic appearance of our society not the realisation of a metaphysical pantheism? One where every difference is not singular, as it would be in a situation that is historically and fundamentally pagan, but a particularity of a universal, because each such difference is a placeholder for that universal. Conversely, are societies where monotheism, in some form or the other, determines the religious belief of the majority and gives their respective cultures the appearance they have, really monotheistic?

Wasn’t, therefore, the attempt to retrieve Greek ethics constitute Nietzsche’s most heroic failure? The following passage from Karl Loewith’s ‘Nietzsche’s Revival of the Doctrine of Eternal Recurrence’ — the second appendix of his ‘Meaning in History’ — unambiguously reveals that: “Nietzsche undoubtedly achieved the metamorphosis from the Christian ‘Thou shalt’ to the modern ‘I will’, but hardly the crucial transformation from the ‘I will’ to the ‘I am’ of the cosmic child, which is ‘innocence and forgetfulness, a new beginning and a self-rolling wheel.’ As a modern man he was so hopelessly divorced from any genuine ‘loyalty to the earth’ and from the feeling of eternal security ‘under the bell of heaven’ that this great effort to remarry man’s destiny to cosmic fate, or to ‘translate man back into nature,’ could not but be frustrated. Thus, wherever he tries to develop his doctrine rationally, it breaks asunder in two irreconcilable pieces: in a presentation of eternal recurrence as an objective fact, to be demonstrated by physics and mathematics, and in a quite different presentation of it as a subjective hypothesis, to be demonstrated by its ethical consequence. It breaks asunder because the will to eternalize the chance existence of the modern ego does not fit into the assertion of the eternal cycle of the natural world.”

In such circumstances, when pantheistic modernity — and the capitalist mode it is constitutive of — is an inescapable global condition, might it not be, politically and intellectually speaking, a better idea to save the tradition(s) of monotheism from the conformism it has fallen into — one which articulates and construes monotheism in terms of church-like institutionality — by historicising and rethinking the tradition(s) of monotheism as a witness of the messianic eruption of the singular, thereby seeking to practically render such eruption of the singular multiple. In other words, would it not be politically more meaningful not to shun the conceptual in the name of some kind of phenomenology of multiplicity and difference? Something that would not only give rise to the problem of epistemological void but would also result in infinite regress as the only possible practice and thinking of politics. Would it not, instead, be more productive — both intellectually and politically — to re-envision the conceptual in terms of the impossibility of knowledge: that is, concept of the impossibility of knowledge? Adorno in his Negative Dialectics, for instance, gives us precisely such a rethinking of the conceptual when he affirms the concept as one that is orientated towards nonconceptualities.

Some Random Observations on Robert Walser’s Prose Fiction

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‘A Schoolboy’s Diary And Other Stories’ is the fourth Robert Walser book I’ve read so far. And what strikes me about the Swiss-German writer, among other things, is the following: if the ontological characteristic of art and literature be rupture with distribution of the sensible constitutive of the horizon of meaning; and thus rupture with cogitation, signification and measure, then there are two modalities for this ontology of the immeasurable or the meaureless to register itself. The first is that of an explosive evental heroism while the second is inconspicuousness of self-effacement, or progressive minimisation of the self. A kind of persistently joyous self-evacuation, or kenosis. It’s the latter that Walser’s ‘prosaic’ literary discourse offers.

If the first inspires a romanticism of the political as the moment of an eruptive break with the tyranny of the monumental, the second arguably instils in us fidelity to that break with the monumental in the ethical form of persevering in the measure-eluding inconspicuousness of the minor. This puts the Walserian minor on the same page as Walter Benjamin’s “destructive character”. Benjamin described the destructive character with reference to Brecht thus: “…challenges everything almost before it has been achieved.” And Brecht is correct in characterising this destructive aspect of his character as “manic”.

In Walser, this mania emerges, however, not as anxiety but in hues that are pleasing, clam, tender and sweet..In Walser’s work this mania, or hysteria — which necessarily always manifests itself in pleasantly whimsical and achingly wistful tonalities — is, at once, both an articulation of infantilising petty-bourgeois neurosis equivocating between difference and measure, and that of its radical opposite: the minoritarian movement of the universalisability of measurelessness or singularity. Distinct from the Nietzschean master-morality and its heroic register of pagan-warrior nobility is Walser’s equally pagan natural-historical morality of radical solitude and peaceability, which is registered by smallness, insignificance and fleetingness. In a certain sense there is, as my wife Paramita once remarked after reading The Assistant, a certain unmistakable affinity and resonance between Walser and Vinod Kumar Shukla. That Robert Walser told fairy-tales of modernity will be quite apparent to anybody who cares to read anything by him. His work, however, is arguably an accomplished poetry of materialist ethics too.

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