What does it mean for science to find, not seek?


“Personally, I have never regarded myself as a researcher. As Picasso once said, to the shocked surprise of those around him—I do not seek, I find.
“Indeed, there are in the field of so-called scientific research two domains that can quite easily be recognized, that in which one seeks, and that in which one finds.
“Curiously enough, this corresponds to a fairly well defined frontier between what may and may not qualify as science. Furthermore, there is no doubt some affinity between the research that seeks and the religious register. In the religious register, the phrase is often used—You would not seek me if you had not already found me. The already found is already behind, but stricken by something like oblivion. Is it not, then, a complaisant, endless search that is then opened up?”
–Lacan, ‘The Four Fundamental Concepts of Psycho-Analysis’

Is science — or more precisely scientificity — to be thought in terms of discovery and recognition, and thus in terms of knowledge in an epistemological sense? Or, is it to be thought in terms of invention, and thus in terms of action in its praxical sense? Science as that which is recognised and determined by thought? Or, science as thought in and as its own action? Science as thought in its capture by the cogito? Or, science as thought in its escape from such cogitative capture? These are clearly two radically distinct levels of abstraction and two equally radically separate temporalities of the dialectic, which are being constantly produced in and through the internal division of the dialectic itself. That, to my mind, is basically what is at stake here. And if we say, in agreement with Lacan, that the approach to the question of science can and must only be the latter, then how do we grapple with the problem of knowledge within such a conception of science and scientificity? What does such an understanding of science — and scientificity — do to our conceptions of knowledge and the epistemic? Does it lead us then to abandon, just like the phenomenologists of difference, the very idea of knowledge and the epistemic? Or, is the category of knowledge retained through an alteration — shall we say a radical alteration — of its status, function and conception? And what then does such alteration of status, function and conception of knowledge amount to in opposition to its more traditional epistemological status, function and conception? Should we then here not think the status and function of the concept as symptom (in the Lacano-Althusserian sense) and/or allegory (in the Benjaminian sense), as opposed to thinking them as epistemology?

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From Theoretical Antihumanism and Practical Humanism to Practical Antihumanism and Theoretical Humanism: Badiou After Althusser


That Badiou continues with Althusser’s terms of “practical humanism” and “theoretical antihumanism” — terms whose explication we can read in ‘Marxism and Humanism’, the last essay of Althusser’s For Marx — is there for all to see. But if we attend a little closely to how Badiou adopts those terms by having them pass through Lacan’s affirmation of the “in-human” as the basis of his “ethics of psychoanalysis (ethics being nothing but the question of practice and practical reason) we will see the radical shift that is effected in the conceptual valences of those terms in Badiou’s deployment of them. As a result, Badiou’s redeployment of the Althusserian term of practical humanism conceptually renders it a practice that articulates the non-human in its human embodiment and thereby is an affirmation of a radically new concept of generic humanity as a subtractive construction with regard to what Nietzsche critically designated “Human, All too Human”.

In Althusser, practical humanism is seen as the effect of theoretical antihumanism that is its thwarted immanence. In Badiou’s redeployment, practical humanism is meant to be the reflexive subjectivisation of its own immanent antihumanist thinking in order to be the actuality of that immanent thought in its (unthwarted, uninterrupted) action. A move that, therefore, makes it practical antihumanism precisely when it’s practical humanism. And what this would amount to in terms of theoretical fidelity to itself is a to-be-actualised generic humanity that is radically new in being a constructionist adventure.

Hence, theoretical humanism is, in this sense, conceptual fidelity to the truth of practical antihumanism that the Althusserian practical humanism has become in Badiou’s inimitable redeployment of it. Badiou’s universal-singularity as nonrelational relationality — or the human under the condition of the non-human — is what this practical antihumanism (the immanent thought of antihumanism in action in its human embodiment) as the condition of the (radically new) theoretical humanism amounts to This is clearly a philosophical manoeuvre — a thought-procedure if you will — of epistemology-ontology short-circuit that underlies Badiou’s engagement and explication of politics as prescriptive thought. A thought that, in Lacan’s words, is the thought that finds and not one that seeks itself in its own cogitative capture. This, if you will, is precisely what is at stake in Badiou’s thinking of “subjectivity without subject” from within Althusser’s “process without subject” but against and beyond it.

That Badiou is a thinker of practical antihumanism and theoretical humanism in the sense I’ve tried to argue above is most clearly evident in his Ethics and the last chapter of The Century — “The joint disappearances of Man and God’ — where he engages with Sartre’s “radical humanism” and Foucault’s “radical antihumanism” by attempting to read them in their dialectical encounter with one another. I will make two brief citations from that chapter here in the hope that they will somewhat demonstrate Badiou to be a thinker of practical antihumanism and theoretical humanism in the sense that I have tried to bring out above:

“As is the wont of the dialectical thinking of contradictions, there is a unity of the two conflicting orientations. That is because both of them treat this question: What becomes of man without God? And they are both programmatic. Sartre wishes to ground a new anthropology in the immediacy of praxis. Foucault declares that the disappearance of the figure of man is ‘the unfolding of a space in which it is once more possible to think’. Radical humanism and radical anti-humanism agree on the theme of Godless man as opening, possibility, programme of thought. That is why the two orientations will intersect in a number of situations, in particular in all the revolutionary episodes.

“In a certain sense the politics of the century or revolutionary politics more generally, creates situations that are subjectively undecidable between radical humanism and radical anti-humanism. As Merleau-Ponty saw perfectly – but only to draw from the undecidable indecisive conclusions —the general heading could very well take a conjunctive allure: ‘humanism and terror’. While the twenty-first century opens with a disjunctive morality: ‘humanism or terror. [Humanist] war against terrorism.

“This conjunctive dimension, this ‘and’, which can already be registered in the thinking of Robespierre or Saint-Just (Terror and Virtue) – a conjunction that authorizes us, forty years later, to write, without a hint of paradox, ‘Sartre and Foucault’ – does not hinder, but rather demands, in order that we may be worthy of what happens to formalize the conflict of radical orientations….”

And then again the following from the end of the same chapter:

“Through the great voices of Sartre and Foucault, the century asked: The coming man, the man who must come, in the guise of an existence or of a thought, is he a superhuman or an inhuman figure? Is the figure of man to be dialecticized, surmounted? Where else will we install ourselves? In an ‘elsewhere’ that Deleuze declared to be ‘interstellar’.

“At the century’s end, animal humanism wants to abolish the discussion itself. Its main argument, whose obstinacy we have already encountered several times, is that the political will of the overhuman (or of the new type of man, or of radical emancipation) has engendered nothing but inhumanity.

“But that’s because it was necessary to start from the inhuman: from the truths to which it may happen that we partake. And only from there can we envisage the overhuman.

“About these inhuman truths, Foucault was right to say (as was Althusser with his ‘theoretical antihumanism’ or Lacan and his radical dehumanization of the True) that they oblige us to ‘formalize without anthropologizing’.

Let call our philosophical task, on the shores of the new century, and against the animal humanism that besieges us, that of a formalized in-humanism.”

For a new aesthetic of revolutionary exhibitionism against the aestheticised politics of liberal bourgeois voeyurism


There is a need to think a new revolutionary aesthetics of exhibitionism against liberal exhibitionism — for me, the latter is basically the politics of commodity abstraction and society of spectacle a la Situationists such as Guy Debord. However, in order to do that the scopic drive will need to be rethought and re-envisaged, not in terms of contemplativeness, but contemplativeness pushed to its extreme that renders the contemplated object into a dialectical image. [Now, this is already a displacement of contemplation into practical-materiality — or, at any rate, the former being placed under the condition of the latter — in Marx’s sense of the terms as he explicates them in his Theses on Feurbach and The German Ideology.] That is crucial if desire is not to be conflated and confounded with its cathection (investment). Such cathection or investment being the interruption and concomitant distortion of desire precisely on account of its determinate instantiation. After all, as Lacan would tell us, the “petit object a” is not much more than a metonymy of desire.

And here Nietzsche’s acute poser about whether truth is not a woman can be deployed rather productively. “Woman” here in its Nietzschean articulation must, arguably, be grasped in terms of “becoming-woman”. That is, woman not as an anthropological difference (which is difference-as-identity) but as an ontological difference (difference as differing away from identity). Translating this antidialectical conception of “becoming-woman” into the conceptual framework of the asymmetrical or materialist dialectic we could say, following Lacan, that woman-as-truth or becoming-woman is to be understood as the Real that cannot be inscribed within the horizon of the symbolic even as it founds that horizon. Clearly then, ‘woman’, in “becoming-woman” or Nietzsche’s “woman-is-truth”, is now no longer thinking of even ontological difference but is, instead, a limit-conceptual figure of ontological subtraction.

This, I beleive, dovetails with what I have tried to get at above with regard to grasping the exhibitionism/voyeurism couple not simply as a dialectic, but as an asymmetrical dialectic, and thus as determinate presentation of exhibitionism-voyeurism singularity in excess of their symmetrically dialectical coupling as exhibitionism/voyeurism duality. In that context, the exhibitionist desire of revolutionary militancy is not merely exhibitionism but Dionysian exhibitionism (a la Nietzsche’s The Birth of Tragedy, for instance). And here, therefore, the exhibitionist revolutionary-militant is not a declarative-constantive object — or a directive tribune — vis-a-vis a milieu of passive contemplators/consumers he/she subjectivates thus. Rather, he/she is a semiosis of impulse or symptom of performativity, which is the object-exceeding force in the distinct temporality of its own singularising/singular subjective-materiality. Something that renders this sign/symptom a unit of the milieu of active and continuous producers in the Brechtian sense.

In fact, that is precisely the reason why I think Marquis de Sade’s ‘pornography’ poses and articulates a revolutionary-republican aesthetic. If we attend carefully to the apparently pornographic discourse of his literary production — particularly, his ‘Philosophy in the Bedroom’ — we see that not only does it have a didactic form but one whose mode is Dionysian (performative), which this form strives to transparently reveal. Clearly, De Sade’s discourse ceaselessly registers the thinking of the ethical imperative of desire and the moral law together, but in their separateness. It’s this form and mode of what I wish to call the Dionysian didacticism of desire — and not just any form of BDSM pornography — that renders De Sade’s ‘pornographic’ discourse the index of counter-contemplative revolutionary-republican aesthetics. And it’s arguably this formal and modal dimension of De Sade’s literary discourse that Foucault misses when he critically describes the former as “the sergeant of sex”, who, in Foucault’s estimation, elevates transgression itself into a law.

After all, it’s not for nothing that Lacan impressed on us the indispensability of thinking Sade with Kant. In short, the new revolutionary aesthetic of exhibitionism-voyeurism — as a historically concrete reconstitution of the revolutionary-republican aesthetic of De Sade — will be one wherein a form of contemplation is already always a demonstration of the displacement of contemplation. That is to say, such an aesthetic will truly fulfil itself only when exhibitionism is already always the demonstration of excess of exhibitionism in its limit.

Therefore, the problem of pleasure, from the standpoint of revolutionary politics, is ineluctable. However, the question then is whether pleasure is merely subjectively interiorised experience that is grasped by way of phenomenological reduction, or, is the question really of pleasure founding its own duration and historicity. For, if it’s the latter, then it is already a post-phenomenological displacement of pleasure beyond its phenomenological experientiality, albeit necessarily in and through that experientiality and phenomenology of pleasure. Hence, what we have is pleasure as an existential experience informing the constitutivity of an austerely neutral extension, which is the historicity of suspension of history — “historicity without history” in Alain Badiou’s terms. This, to my mind, amounts to pleasure founding its own duration and historicity.

And this, as far as I understand, is the path Freud also prefigures and indicates in his engagement with the question of pleasure. For him, the problem of pleasure is not, in the final analysis, one of interiorised experience, subjective intentionality and thus joyous productivity. Rather, the problem of pleasure (read in terms of jouissance) brings to him, particularly if we read him through a Lacanian lens, the question of lack and/or trauma as the Real. This, from what I understand, is the crux of his “beyond the pleasure principle”. And this reveals why Freud is no phenomenologist of pleasure, one who would be concerned merely with the question of alternation between the reality principle and the pleasure principle. Rather, Freud’s concern — in his concerted engagement with the problem of pleasure — indicates the need to develop an approach that thinks the problem of pleasure and its politics in terms of the suspension of the horizon of this alternation of the reality principle and the pleasure principle.

To think the question of pleasure in those terms – i.e. to think pleasure as an experiential-phenomenological moment of the post-phenomenological movement of its own overcoming (beyond the pleasure principle) — is to already have pleasure-as-joyous-productivity displace and thus transfigure itself into the neutral of subtraction. An engagement with the affective experience of pleasure, if it’s rigorous, is, arguably, bound to lead one towards its post-phenomenological beyond – which, in the same movement, would also obviously be a radical break with the horizon of the reality principle. That is demonstrated, besides Freud, by Roland Barthes: a thinker of pleasure for whom the twinned-questions of “zero degree” and “the neutral” are what ultimately matter.

As for me, I have been helped quite a bit in this respect by Badiou’s critique of what he calls “democratic materialism” – the differing alternation of bodies and languages (or joyousness and its interruption) – as also his attendant critique of Deleuze’s anti-Freudian productive conception of desire (“desiring-production”).