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Nietzsche’s Hellenism: A case of heroic failure

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Is it any longer historically possible to retrieve the non-moral ethics of Classical Hellenic antiquity? For, is the inescapable modern condition of our historical being — not just in the West and the Muslim world, but even in our apparently pagan polytheistic society too — really pagan and polytheistic? Objectively speaking, isn’t the polytheistic appearance of our society not the realisation of a metaphysical pantheism? One where every difference is not singular, as it would be in a situation that is historically and fundamentally pagan, but a particularity of a universal, because each such difference is a placeholder for that universal. Conversely, are societies where monotheism, in some form or the other, determines the religious belief of the majority and gives their respective cultures the appearance they have, really monotheistic?

Wasn’t, therefore, the attempt to retrieve Greek ethics constitute Nietzsche’s most heroic failure? The following passage from Karl Loewith’s ‘Nietzsche’s Revival of the Doctrine of Eternal Recurrence’ — the second appendix of his ‘Meaning in History’ — unambiguously reveals that: “Nietzsche undoubtedly achieved the metamorphosis from the Christian ‘Thou shalt’ to the modern ‘I will’, but hardly the crucial transformation from the ‘I will’ to the ‘I am’ of the cosmic child, which is ‘innocence and forgetfulness, a new beginning and a self-rolling wheel.’ As a modern man he was so hopelessly divorced from any genuine ‘loyalty to the earth’ and from the feeling of eternal security ‘under the bell of heaven’ that this great effort to remarry man’s destiny to cosmic fate, or to ‘translate man back into nature,’ could not but be frustrated. Thus, wherever he tries to develop his doctrine rationally, it breaks asunder in two irreconcilable pieces: in a presentation of eternal recurrence as an objective fact, to be demonstrated by physics and mathematics, and in a quite different presentation of it as a subjective hypothesis, to be demonstrated by its ethical consequence. It breaks asunder because the will to eternalize the chance existence of the modern ego does not fit into the assertion of the eternal cycle of the natural world.”

In such circumstances, when pantheistic modernity — and the capitalist mode it is constitutive of — is an inescapable global condition, might it not be, politically and intellectually speaking, a better idea to save the tradition(s) of monotheism from the conformism it has fallen into — one which articulates and construes monotheism in terms of church-like institutionality — by historicising and rethinking the tradition(s) of monotheism as a witness of the messianic eruption of the singular, thereby seeking to practically render such eruption of the singular multiple. In other words, would it not be politically more meaningful not to shun the conceptual in the name of some kind of phenomenology of multiplicity and difference? Something that would not only give rise to the problem of epistemological void but would also result in infinite regress as the only possible practice and thinking of politics. Would it not, instead, be more productive — both intellectually and politically — to re-envision the conceptual in terms of the impossibility of knowledge: that is, concept of the impossibility of knowledge? Adorno in his Negative Dialectics, for instance, gives us precisely such a rethinking of the conceptual when he affirms the concept as one that is orientated towards nonconceptualities.


When Proust lends himself to being read through Marx

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“…sometimes a man will appear in society for whom it has no ready-made character or at least none that is not being used at the moment by somebody else. First they give him one that doesn’t suit him at all. If he is a man of real originality and there is nothing his size in stock, incapable of trying to understand him, society ostracizes him; unless, of course, he can gracefully play the young juvenile who is always in demand.”
–Proust, ‘Fragments from Italian Comedy’ (Pleasures and Regrets)

This “man of real originality” that Proust presents us with is meant to articulate the exorcism of his very own predicament – the predicament of his writerly practice to be precise. How does one enter “society”, and mingle in it, in order to be able to critically reveal it for what it is: an economy of fetishised appearances? That is, how does a writer such as Proust ensure that his critique of “society”, as an economy of fetishised appearances – a regime of exchange-values or value-relation, to take recourse to Marx’s terminology – in being situated within that economy of value relation is not itself reduced to a fetish; an ideology?

But then who or what is this “man of real originality”? Marx writes in Capital, Volume I: “Whoever directly satisfies his wants with the produce of his own labour, creates, indeed, use-values, but not commodities. In order to produce the latter, he must not only produce use-values, but use-values for others, social use-values (And not only for others, without more. The mediaeval peasant produced quit-rent-corn for his feudal lord and tithe-corn for his parson. But neither the quit-rent-corn nor the tithe-corn became commodities by reason of the fact that they had been produced for others, whom it will serve as a use-value, by means of exchange.) In that light, we can perhaps say that Proust’s “man of real originality” is someone who produces himself only in order to have that production of the self serve the fact of its own existence. He is one who “directly satisfies his wants (to be or to exist) with the produce of his own labour (the labour of producing himself as his own being or existence).”

Clearly, therefore, he is as that “man of real originality” a use-value and its creator, but not a commodity and its producer. And that is because by virtue of being a “man of real originality”, somebody for whom “there is nothing his size in (society’s) stock, he is not a “social use-value”. That is to say, his existence or being is not something that has “been produced for others, whom it will serve as a use-value, by means of exchange”.

The fact that Proust’s “man of real originality” is so precisely because “there is nothing his size in (society’s) stock” is an apposite demonstration of him being a use-value that is, however, not a commodity. Which is to say, he as his own existence or being is a use-value that cannot and does not enter his historically contemporary relation of exchange, or value relation. That “society ostracizes him” symptomatises precisely that. His being a “man of real originality” is doubtless a use-value, but one that is not a “social use-value”. That is to say “a man of real originality” is the singularity of means as its own end.

Proust’s “man of real originality” is being or conation as determinate subtraction, and thus destructive excess, from the economy of fetishised appearances, or exchange/value relation. For, no ostracisation (or exclusion) by society can ever be truly and fully accomplished as long as society exists to identify, and thus include, the ostracised as thus ostracised. Clearly then, full ostracisation of something or someone by society can be truly accomplished only when society as a historically concrete realisation of the mode of valorisation and identification – that is, as the mode of exchange relation and value relation – ceases to be. That Proust’s affirmation of a “man of real originality” is also his affirmation of ostracisation by society thought to its farthest extremity is amply evident when he envisions, in ‘A Young Girl’s Confession’ (in Pleasures and Regrets), “the option of solitude” as “the final decision”, “the choice”, “the truly free act”. And such solitude, as the affirmation of ostracisation by society thought to its farthest extremity, would be a radical solitude, which in turn, would be nothing save communism as the universalisability of the singular.

An observation on why Spinoza’s conception of the ethical is materialist

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“We see that this natural Divine law does not demand the performance of ceremonies—that is, actions in themselves indifferent, which are called good from the fact of their institution, or actions symbolizing something profitable for salvation, or (if one prefers this definition) actions of which the meaning surpasses human understanding. The natural light of reason does not demand anything which it is itself unable to supply, but only such as it can very clearly show to be good, or a means to our blessedness. Such things as are good, simply because they have been commanded or instituted, or as being symbols of something good, are mere shadows which cannot be reckoned among actions that are the offspring, as it were, or fruit of a sound mind and intellect.”
–Spinoza, A Theologico-Political Treatise

A rather obvious reading of the above passage would be to see it as a version of the fantasy of pure reason. But then we could also follow in Macherey and Althusser’s ‘Spinozist’ footsteps and read this quite differently. Spinoza’s god is the singularity of being and reason — a la the Spinozist conatus. His conatus or being can, therefore, be construed as the uninterruptedly, as opposed to sequentially, continuous excess of symbols that are deposited in and as the determinate moments constitutive of precisely this infinitely excessive, and thus dispersive and non-teleological movement, and which as those symbolic deposits tend to acquire a life of their own by getting instituted as commands (or, as Spinoza would say, human laws). That Spinoza conceives of being as a willing-knowing singularity becomes evident if we follow, later in this text, his explication of god as the concomitance of willing of things that come to comprise the world and the knowledge of those things.

Read in this manner, this Spinozist ‘version of the fantasy of pure reason’ can be envisaged, as it indeed is by Althusserians, as a theoretical mode to ground the practice of ideology-critique, which as that practice is derived from Marx’s articulation of his dialectical method as the theory of critique of political economy. Following Marx, who adopted Hegel’s dialectic only to see it precisely as the inverted reflection of the antagonism to the dialectic itself, Althusserians, particularly Macherey, would read ideology — which Althusser quite correctly characterised as the movement of its own displacement — as the image, or symptom, of its own absence, void or impossibility. And this is an approach that can arguably be read off Spinoza, including from his unambiguous suggestion here that “symbols of something good, are mere shadows” of that good.

The reason why Spinoza is open to such a reading is possibly because his thinking of being a la conatus — which for him is also, at once, “the offspring, as it were, or fruit of a sound mind and intellect” — precludes the need for it to be the ground for some kind of a moral law. In Kant, on the other hand, we have the moral law kick in as retroactive rationalisation (read metaphysicalisation) — and thus prospective regimentation — of multiple instantiations of pure reason as practical reason.

Spinoza as a precursor of the materialist dialectic

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PROPOSITION XXVI. The human mind perceives no external body as actually existing unless through the ideas of the modifications of its body.

Demonstration. If the human body is in no way affected by any external body, then…the idea of the human body, that is to say…, the human mind, is not affected in any way by the idea of the existence of that body, nor does it in any way perceive the existence of that external body. But in so far as the human body is affected in any way by any external body, so far… does it perceive the external body
Corollary. In so far as the human mind imagines an external body, so far it has not an adequate knowledge of it.
Demonstration. When the human mind through the ideas of the modifications of its body contemplates external bodies, we say that it then imagines…, nor can the mind…in any other way imagine external bodies as actually existing. Therefore…in so far as the mind imagines external bodies it does not possess an adequate knowledge of them — Q.E.D.
–Spinoza, ‘Ethics’

If one carefully attends to Spinoza’s understanding of substance as conatus, one can probably see how Spinozist substance can be read as a rupture from both the Cartesian, and Kantian, conceptions of subject-object duality. A rupture that is, if one may be allowed to speak in Alain Badiou’s terminology, subjective materiality in its singularisation. So, what is often termed Spinoza’s objectivism, is, in my opinion, ontological subtraction from the the subject-object duality, and its constitutive horizon of a symmetrical and thus idealist dialectic.

Therefore, the Spinozist substance, as far as I am concerned, is unrelenting antagonism to such a horizon of dialectical symmetry. And precisely for that reason is his substance or being — or his substantive being — nothing but the antagonism to the dialectic, which thinks dialectically precisely to preempt its subsumption by the dialectic, and its own interruption as antagonism thereof. All this, in order to keep being the antagonism or ontological excess it is.

In such circumstances, there is no question of Spinoza being a solipsist. For, singularity, particularly if it’s thought in terms of the relentlessness of antagonism to the dialectical machine, can by no means amount to solipsism. Spinoza, then, is, for me, certainly not a solipsist. But I wouldn’t call him an objectivist either. Pace Macherey, I read him as a materialist who philosophically prefigures the materialist dialectic.

One will see Spinoza as a solipsist only when one conceives materialism as objectivism, and does not grasp materiality as ontological excess — the actuality of uninterrupted exceeding of the subject-object duality and the horizon of symmetrical dialectic this duality is constitutive of. And it’s this ontological excess that is the approach at work in Marx’s theoretical practice of critique of political economy as is its philosophical presupposition.

This Marxian critique in its operation as “practical practice” — which would render such “practical practice” praxis — would be nothing but precisely this actuality of uninterrupted exceeding of the subject-object duality and the horizon of symmetrical dialectic it is constitutive of. In other words, Spinoza’s substance is subjectivity as a process of desubjectivation. Or, conversely,. Spinoza’s being is a subject that is substance precisely in being-aftersubject.

Why rights-centric politics is not a politics of freedom

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Exchange-value (and exchange-relations) is not in and by itself value (and value-relations). Rather, exchange-value (and exchange-relations) is appearance or representation of the essence of capital that is value (and value-relations). Hence, juridical rationality — or rights — is the appearance or representation of the arbitrary and irrational operation of social power but is not in itself that mode or structure of arbitrary and irrational (and hence entirely political) operation. Conversely, even as value-relations as the arbitrary operation of social power necessarily inform exchange-relations and the juridical rationality of rights in their constitution, the former is irreducible to the latter.

In other words, even as the essence (value or arbitrary operation of social power) must and does appear (as exchange-value or juridical rationality of rights), appearance (exchange-value or rights) is not the essence (value, or social power in its arbitrary operation). That is demonstrated with a fair bit of clarity by Marx in the first volume of Capital. The problem with a political subject that envisions freedom as right is that it misses this dialectic between essence and appearance, and thus hypostatises the essence into its appearance – or, conflates essence with appearance. The politics of rights then is no more than exertions to correct (reform) the asymmetries of exchange, which presupposes the legitimacy and continuance of the rationality of exchange-value, and thus the legitimacy and continuance of the irrationality of value-relations that is the former’s constitutive mode.

Such politics of rights, needless to say, serves to reproduce and reinforce exchange-relations and its constitutive value-relational mode by merely displacing rights deprivation to yet another historically concrete moment or location of the capitalist social being. In other words, the subject that envisages politics in terms of demanding rights is one that is interpellated and articulated by the logic and structure of value-relations. Its politics of making a concrete moment of exchange less asymmetrical succeeds, if at all, by way of increasing the asymmetry in yet another (qualitatively old or new) concrete moment of exchange. This is precisely what technical recomposition of social labour by capital, through its re-segmentation, amounts to. In such circumstances, a politics driven by demand for various rights – including workers’ rights – cannot be affirmed and embraced as the politics of the working class. In its basic impulses, such politics is petty bourgeois, reformist and restorative, not proletarian and revolutionary. The ‘understanding’ of political economy that animates such political impulses is deeply Ricardian, and not at all Marxist.

That is, however, not to claim that the question of rights-deprivation stands rejected from the standpoint of revolutionary working-class politics and Marxism. But, for a Marxist, there is surely the need to distinguish between rights-deprivation — as an objective systemic fact and a concomitant subjective experience — being an inescapable question for working-class politics, and the politics driven by demand for rights. Only a liberal dimwit or nincompoop would think they are one and the same thing. And that the abandonment of one is tantamount to the jettisoning of the other. Rights-deprivation is a revolutionary question not because a politics ought to be made out of demanding the absent rights – the rights one is deprived of. Rather, it’s a revolutionary question because it enables one to cognitively access and concretely target value-relations (or the arbitrary, and thus entirely political, operation of social power) in and through their determinate appearance as (or mediation by) a particular exchange-relation whose particular asymmetry is what the absence or deprivation of a particular right amounts to.

This, among other things, demonstrates how a group of rights-deprived individual subjects could grasp and seeks to actualise the social subject sedimented in its individual selfhood or subjecthood precisely through the concrete experience of right-deprivation that is constitutive of that particular subjecthood in its individualised salience. What this, in other words, means is that the individual right-deprived subject is egged on by his/her experience of being thus right-deprived to struggle, not for the winning over of the absent right for that individual subjecthood, but for the destruction of the value-relation that is represented by the concrete exchange- relation constitutive of that particular individual subjecthood and its objective factuality and subjective experience of being deprived of the particular right in question. Clearly, such destruction would also mean the disavowal of the particular individual selfhood/subjecthood that experiences the particular right-deprivation in the first place because that individual selfhood/subjecthood is constitutive of value-relations that are sought to be destroyed by accessing those relations through their mediation by the particular exchange-relation in question that determinately instantiates the value-relations.

What this operation of the social subject actualising itself evidently means is that such individualised subjecthood, precisely on account of its constitutive experience of rights-deprivation, risks its existence as that individualised subject to emerge as the social subject that tends towards abolishing the structure of value-relations in and through its determinate representation by a concrete instance of right-deprivation (or asymmetry of exchange). Clearly, the operation constitutive of such risking of existence of individualised subjecthood – the agentic subjecthood of rights – is a politics not of ending various particularities of rights-deprivation. Rather, it’s a politics of abolishing the general condition of such particular and particularised rights-deprivations – and the juridical realm of exchange they are integral parts of — through and in its constantly shifting determinate instantiations. Hence, one must think freedom as risk, not as a right.

The difference between politics of freedom as right and politics of freedom as risk is then the radical modal difference between two kinds of intervention on the same concretely apparent terrain of exchange-relations. The former driven towards ending particular rights-deprivation by demanding the absent rights, the latter geared towards unravelling value-relations, and its concomitant force-field, which constitute the condition of possibility of juridical rationality of rights – and thus rights-deprivation – in their determinate instantiation in and as a particular case of rights-deprivation. It’s in this latter sense, and not in the former, that one ought to understand, among other things, Benjamin’s insistence about every moment in history being a strait-gate through which the messiah can come in.

It must also be mentioned here that legal equality has as its necessary condition of possibility substantive/social inequality. Besides, the former in its existence also acts back upon the latter to reproduce and further reinforce it. If one attends to Marx’s A Contribution to the Critique of Hegel’s Philosophy of Right — to say nothing of his brilliant demonstration in Capital of how concrete labours (qualitative singularities) are rendered differential quantities of “human labour in the abstract” through qualitative equalisation — even half carefully, one would see that.

Immediate forms of oppression in the capitalist social formation get registered as rights-deprivation and legal inequality. But such registration is, for subjects of struggle against those forms of oppression, precisely part of the problem and not its overcoming. Struggles against oppressions must be struggles against the structure of exploitation, which is the necessary condition of possibility of various concrete forms of oppression, and not struggles for rights and legal equality. Subjects struggling against various forms of oppression must recognise those oppressions for what they are — that is, oppressions — and call them by their name, and not register them in their subjectivity as legal inequalities to be remedied.

Against the ‘enchantment’ of poetry and for the ‘arrogance’ of critical thinking

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Robert Walser’s stress on the small, the insignificant, the minor, the almost-invisible is constitutive of his aporectic – I prefer to call it asymmetrically dialectical — literary discourse that ‘arrogantly’ affirms singularity precisely in and through the ‘humility’ of “continually stepping aside” from the light of recognition that affirmation of singularity inevitably calls upon itself. In one of his stories, for example, a heroic figure erupts suddenly from the insignificant margins of life only to once again melt away and disappear.

Does this Walserian sensibility not resonate with Blanchot’s literary practice, which is an affirmation of the singularity of visible-invisibility (or arrogance through humility)? Blanchot’s reclusive life-practice, which can arguably be construed as the continuation of his conception and practice of literature — writing as a continuous process of withdrawal from itself — beyond the paradigmatic frame of the literary, was possibly a demonstration of this ethics (and singularity) of arrogance-through-humility. This is a quality that is neither arrogance nor humility, but something entirely novel in that it exceeds the anthropologically-indexed affective coordinates of arrogance and humility in their dualised existence.

Walser’s style, if we may still talk in those terms, is the constant articulation and questioning of style itself as something that is always imperfect, and intrinsically inadequate. In that context, we would do well to conceptually approach poetry, not so much as style — which is thinking poetry through a foregrounding of its experiential dimension that is the necessary anthropological register and anthropological-passional index of its historically determinate instantiation as excess of meaning and language — but as a mode.

To conceptualise, and envisage, poetry modally is to grasp it, and have it articulate itself, in a manner that its form is already always a demonstration of its own excess. (Here the importance of the experiential dimension of poetry as the necessary condition of its determinate emerging is doubtless acknowledged, but what is also indicatively underscored is that this dimension is, in itself, not a sufficient condition for poetry to continue being itself.)

In such a (singular) situation, the separation between enchantment and disenchantment is rendered a zone of undecidability, and is thus immensely complicated. For instance, is the singular in the excessiveness of its eruption, which amounts to a break with the thrall of the banal, an enchantment or a disenchantment? And this poses yet another question: what is the condition in which the line shifts, causing the defamiliarising singularity of the quotidian to lapse into the familiarity of the exchangeable and the banal? Is familiarity, insofar as it’s an anthropologically-indexed affect concomitant with the internalisation of domination, disenchantment or enchantment? And, in such circumstances, is defamiliarisation — as an anthropologically- and thus passionally-indexed affectivity of singularity in its excessive eruption — enchantment or disenchantment?

The real question then is, can poetry be approached, and envisaged, as a decision of dwelling in that zone of undecidability? There can, of course, be more than one literary register through which such dwelling in the undecidability of excess is accomplished: the savagely explosive registration of continuous excess (the surrealist poems of Eluard, Aragon and Peret, or Rimbaud’s poetry); the fragile web of language, but one which is baroque in its interminable convolutions and elaborations, and which gets spun through the ceaselessly persistent valorisation of the evanescent and the irreducible (Proust, Beckett); but also, excess as the quiet slipping through of the small, the insignificant and the minor through the meshes of the system (Walser, Kafka, Celan ). In none of these registers, however, does the undecidability with regard to the distinction between enchantment and disenchantment become less demanding in any essential sense. All that such registers of ontological excess in their variegated multiplicity appear to accomplish are different anthropological-passional indexing of the truth of undecidability.

The same – that is, the decision to dwell in the undecidable, the purely possible –holds true for politics as well. That, needless to say, renders poetry and politics, vis-à-vis one another, a question of encounter rather than of some kind of deep or hidden ontological similitude. It is not for nothing that philosophy as the passion for truth begins, as Brecht accurately pointed out, in wonder and awe.

Truth on one hand, wonder and awe on the other. How much more aporetic — and thus undecidable — can a situation be? In such circumstances, to grasp such undecidability as enchantment is to privilege the experiential dimension of such undecidability over its practical-evental/performative dimension that informs the former but is irreducible to it. To indulge in such privileging of the experiential over the performative (or the practical-evental) is to abandon the post-phenomenological rigour of thinking and envisaging sensuousness for a phenomenological (and thus descriptivist) accounting of the same. This phenomenological — and wholly experiential — mode of approaching the sensuous logically amounts to moving away from conceptions of immanence and allegory (which is the immanence grasped in its inscription) to conceptions of interiority and myth, and thus productivism. The latter is inconsistent in its sensuousness because experience remains in it a subjective depth that does little to suspend the objectivity of presence and its metaphysics. In other words, in the phenomenological accounting of sensuousness, experience in its subjectivity fails to seek the institution of its own commensurate materiality and, thereby, become its own surface. As a result, experience, and the subjective, remains interiorised as a depth that is always in diremption from its objectivised and objectified surface. This is, to say without pulling too many punches, the abdication of materiality to spirit. This is a return, albeit through the rear window, of the Hegelian notion of art as the identitarianisation of the negativity of religion. This is poetry, not as the condition and procedure of truth, but as religious mystification.

Political militancy and the question of literature

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I am no literary scholar. I have neither the qualification nor the inclination to be one. Therefore, I wouldn’t know – and can’t say – how a literary scholar ought to go about his/her business of engaging with literature. However, I can probably talk about what an aspiring militant seeking to engage with the literary can and ought to do.

The question before such an individual cannot be how the literary can serve the political – or, for that matter, how the political can serve the literary. The question, instead, must be; can one approach the literary and the political as two paradigmatic conditions of the singularities of literature and politics, and constellate them as those generic singularities. Politics, as opposed to the political, and literature, as opposed to the literary, is precisely about such constellating of generic singularities. [Here one must be clear that politics and literature as generic singularities, even as they are informed in their determinate instantiations by the particularites of their respective paradigmatic conditions, of the political and the literary, are irreducible to those conditions. The paradigmatic particularity and the singularity whose instantiation it informs are in an asymmetrical dialectic.]

In other words, an aspiring militant is faithful to his aspiration only when he seeks to equally engage with the literary and the political by struggling against – that is, criticising both theoretically and practically – the pushing of the political into the literary and vice-versa. For such an individual, it can never be about the ‘enchantment’ of poetry against the ‘disenchanted’ arrogance of critical theory, or vice-versa. It’s not even about being even-handed with regard to this binary so that some sort of reconciliation, either additive or aggregative, can be effected between the two, and the binary as the distributive structuring of differences can exist by striking a balance (a golden mean as it were). Rather, an aspiring militant must approach critical theory and poetry as two determinate anthropological-passional registers, and two determinate historical indices, of thinking in its affective (and thus impersonal) singularity. Thinking — we would do well to remember here a la both Heidegger, and Badiou’s Platonist matheme — is that which has not yet been thought and which perpetually resists thought.

So, if it is not the normativity of logos (political philosophy, critical theory) over the literary, it cannot be the poem-as-difference either. For a radical critique of the logos — which is the force-field of identities and within which the subjective experience of difference that is the poem is already always subsumed, thereby articulating the poem as an objective identity (difference-as-identity) – what is required is concept of the impossibility of conceptualisation (logos).

In other words, we need to rearticulate logos as difference in its limit. This is what the matheme, thanks to Badiou’s radical reinterpretation of Plato, amounts to. And that is the reason why I personally prefer the matheme, over Heidgger’s “poetic-thinking”, as a rigorous explication of thinking as the presentation of the void of thought. [It is on account of its rigour that the matheme enables an anticipative-prefigurative articulation of future-directedness, which is much more powerful and radical than what Heidegger’s “poetic-thinking” affords.]

Therefore, both literature and politics as generic singularities are instantiations of that singular affectivity of thinking in its indivisibility. It must be mentioned here that they are generic singularities only in their tendency to mutually constellate with one another as the uninterrupted process of singularisation (Badiou’s “singular-multiple”).

Unfortunately, there are far too many people – including both terrorists of the political, and terrorists of the literary — who miss this only to unreflexively indulge in such stupid and pointless instrumentalism from one end or the other. The former in the name of some kind of romanticised radical political valour, and the latter in the name of the enchantment of poetry and suchlike. And then, of course, there are those middlemen, even more stupid, who have made it their lifework to effect a reconciliation between the two instrumentalist modes so that the binary can continue to perpetuate itself even as their privileged position as oh-so-balanced and oh-so-ecumenical scholars is preserved and reinforced within the system that is this binary.

These middlemen can often be seen neurotically holding forth on the enchantment of poetry for the benefit of those who are engaged in politics, and on the valour of the movemental for the benefit of those who are engaged in literature. Such propensities, needless to say, are animated by the objective reality of capitalist modernity, which is a horizon constitutive of mutually competing particularities seeking to accomplish their sovereignty through such competition.

It ought to have become clear by now, I assume, that I’m distinguishing singularity from sovereignty, which is the particular seeking to institute the universality of its own particularity. Therefore, an aspiring militant who seeks to engage with literature can be faithful to both his aspiration and his engagement only if his activity is informed by the following conception: there can only be singularity, no sovereignty. Or, if, following Georges Bataille, he does decide to affirm sovereignty then he must carefully attend to the conceptual valency of sovereignty in Bataille’s thinking, and discourse, of “transgression” “radical evil” and the “general economy” of expenditure (as opposed to what Bataille calls the “restricted economy” of production and accumulation). If he does that he will see that, for Bataille, singularity is the only sovereignty that can be affirmed.

The affirmation of literature (together with politics) as a generic singularity, if situated rigorously in that context, is not an “art-for-art’s-sake” kind of argument. Not at all. Instead, what such affirmation amounts to is literature is so autonomous, or singular, that it’s not even for itself, to say nothing of being for the political. The autonomy of literature that a militant engaging with literature must affirm — if he’s to be truly committed to his literary engagement, and thereby to his militancy — is not the sovereignty-seeking aestheticised particularity of literature, but literature as the “inaesthetic” (Badiou) evental-process of singularisation in the determinate paradigmatic condition of the literary.

It, therefore, follows that to think the singularity of literature, or, for that matter, the singularity of politics, is to necessarily think them in their respective limits. To not do that would hypostatise the eventality of the singular with the paradigmatic condition, wherein it is determinately instantiated. That would amount to politics as the revolution of the event turning into counter-revolutionary antipolitics of evental revisionism.

Politics then is nothing else save the actualisation/actuality of this mode of thinking singularities in their respective limits. More importantly, it’s such thinking in action. In such circumstances, the only radical possibility before militant politics, as far as literature is concerned, is to demonstrate and reveal, not politics in literature but politics of literature. That is, not the demonstration of what literature says about politics, but the demonstration of politics in what literature in being literature is. More precisely, the politics of literature is literature being the revelation of the formal economy it is as literature.

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